Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals The Governors of the Old Men's Almshouse (mk45) oil


The Governors of the Old Men's Almshouse (mk45)
Painting ID::  25924
The Governors of the Old Men's Almshouse (mk45)
1664 Oil on canvas 172.5x256cm Haarlem,Frans Halsmuseum
   
   
     

Frans Hals A Young Man with a Glove oil


A Young Man with a Glove
Painting ID::  29326
A Young Man with a Glove
mk65 ca.1650 Oil on canvas 31 1/2x26"
mk65 ca.1650 Oil_on_canvas 31_1/2x26"
   
   
     

Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  29328
Portrait of a Man
mk65 Oil o canvas 33x26"
mk65 Oil_o_canvas 33x26"
   
   
     

Frans Hals Two Singing Boys oil


Two Singing Boys
Painting ID::  33656
Two Singing Boys
mk86 1626 Oil on canvas 62x54.5cm Cassel,Staatliche Kunstsammlungen
   
   
     

Frans Hals Banquet of the Office of the St George Civic Guard in Haarlem oil


Banquet of the Office of the St George Civic Guard in Haarlem
Painting ID::  33672
Banquet of the Office of the St George Civic Guard in Haarlem
mk86 1616 Oil on canvas 175x324cm
mk86 1616 Oil_on_canvas 175x324cm
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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